{"id":685,"date":"2025-12-02T17:32:48","date_gmt":"2025-12-02T17:32:48","guid":{"rendered":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/?p=685"},"modified":"2026-05-14T16:10:34","modified_gmt":"2026-05-14T16:10:34","slug":"%ce%ba%ce%bf%cf%88%ce%af%ce%b4%ce%bf%cf%85-%cf%83%ce%bf%cf%86%ce%af%ce%b1","status":"publish","type":"post","link":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/2025\/12\/02\/%ce%ba%ce%bf%cf%88%ce%af%ce%b4%ce%bf%cf%85-%cf%83%ce%bf%cf%86%ce%af%ce%b1\/","title":{"rendered":"Kopsidou, Sofia"},"content":{"rendered":"<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<pre class=\"wp-block-code\"><code>Chevetogne, Belgium, 1959\nDaughter of the Lemnian painter Rallis Kopsidis, she was born in Belgium, where her father was working on the decoration of the Monastery of the Holy Cross in Chevetogne. In 1960 the family returned to Greece and she grew up in Glyfada, Athens. She pursued free art studies in Athens before moving to Paris, where she was admitted to the \u00c9cole nationale sup\u00e9rieure des Beaux-Arts after entrance examinations. Upon returning to Greece, she devoted herself to painting and, more recently, to music. She divides her time between Glyfada and Paros, while also working systematically to preserve and promote her father\u2019s artistic legacy. Her painting is influenced by French art of the 1960s\u20131980s. Drawing from pop art and expressionism, she also employs collage and photography. The central theme of her work is the female figure, through which she critically engages with stereotypes concerning women\u2019s role in contemporary society. She has participated in numerous group exhibitions in Greece and abroad. Notable examples include \u201fA Burned Exhibition\u201d (Orizontas Gallery, Athens, 2007) and, more recently, \u201fThe Athletic Ideal, Man and the Arts\u201d (Town Hall of Ancient Olympia, 2020). She is also an active member of the artist collective \u201fOrizontas Gegonoton\u201d, regularly taking part in its exhibitions.<\/code><\/pre>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-10"],"_links":{"self":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":4,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts\/685\/revisions"}],"predecessor-version":[{"id":1113,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts\/685\/revisions\/1113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/media\/688"}],"wp:attachment":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/media?parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/categories?post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/tags?post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}