{"id":516,"date":"2025-12-01T19:00:41","date_gmt":"2025-12-01T19:00:41","guid":{"rendered":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/?p=516"},"modified":"2026-05-14T15:25:45","modified_gmt":"2026-05-14T15:25:45","slug":"%cf%84%ce%ac%ce%ba%ce%b1-%ce%ac%ce%bb%ce%bd%cf%84%ce%b1-tacca-alda","status":"publish","type":"post","link":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/2025\/12\/01\/%cf%84%ce%ac%ce%ba%ce%b1-%ce%ac%ce%bb%ce%bd%cf%84%ce%b1-tacca-alda\/","title":{"rendered":"Tacca, Alda"},"content":{"rendered":"<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<pre class=\"wp-block-code\"><code>Parma, 1943 \u2013 Parma, 2024\nShe studied \u201fCivilt\u00e0 e lingue straniere moderne\u201d (Culture and Modern Foreign Languages) at the University of Parma. She was systematically engaged in writing. She authored \u201fPerna et Parma, una biografia del prosciutto\u201d (Parma, 1990), dedicated to the history of prosciutto, and \u201fSe l\u2019anima batte le mani e canta. Itinerari mediterranei\u201d (If the Soul Claps Its Hands and Sings: Mediterranean Itineraries, Edizioni della Battaglia, Florence 1999). Her texts have also appeared in collective volumes. Her painting was realistic, revealing her interest in descriptive precision. Her works are held in museums in Italy (Museo del Prosciutto di Parma, Langhirano) and Greece (Gallery of Kontias), as well as in private collections. In 1982 she participated in the group of \u201crebel\u201d artists who founded the \u201cColletivo Yannis Ritsos\u201d in Parma, Italy. They spent their summers in Lemnos, presenting cultural and musical events. In 2025, one year after her death, a two-day event titled \u201fAlda Tacca \u2013 Anima libera\u201d was organized in Karpasi, Lemnos. It showcased her artistic and literary work, the history of the group\u2019s activities, and her theatrical reading \u201fThe Vasilopita,\u201d dedicated to Theodoros Angelopoulos.<\/code><\/pre>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-10"],"_links":{"self":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts\/516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/comments?post=516"}],"version-history":[{"count":3,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts\/516\/revisions"}],"predecessor-version":[{"id":1073,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/posts\/516\/revisions\/1073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/media\/517"}],"wp:attachment":[{"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/media?parent=516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/categories?post=516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dimotikipinakothikikondia.gr\/wp56\/en\/wp-json\/wp\/v2\/tags?post=516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}